Trance is one of the most demanding genres to produce. Nailing wide supersaw leads, glassy plucks, wall-of-sound pads and a pumping low end depends less on how many plugins you own and more on picking the right handful and learning them cold. This roundup is built around what working trance producers actually load on a template: a few workhorse synths, a couple of effect utilities that shape the groove, and the mixing and mastering tools that hold everything together.
Every plugin below is currently available and battle-tested in real releases — no vaporware picks. Once your plugin folder is sorted, you can browse the Myloops trance store for presets, MIDI packs and project files built for these exact synths.
TL;DR
- LennarDigital Sylenth1 — the virtual-analog workhorse behind countless trance leads and basses.
- Reveal Sound Spire — the go-to modern supersaw synth for uplifting and psytrance.
- Xfer Serum 2 — the most flexible wavetable synth for modern leads, plucks and FX.
- FabFilter Pro-Q — the surgical EQ that every trance mix eventually needs.
- Valhalla VintageVerb — the cheap, lush reverb that makes pads and breakdowns sing.
At a glance
| Plugin | Type | Best for | Price tier |
|---|---|---|---|
| Sylenth1 | Virtual-analog synth | Warm leads, basses, plucks | Paid |
| Spire | Hybrid analog/digital synth | Supersaws, uplifting leads | Paid |
| Serum 2 | Wavetable synth | Modern leads, FX, plucks | Paid ($249, intro $189) |
| Vital | Wavetable synth | Free workhorse alternative | Free / paid tiers |
| reFX Nexus 5 | Hybrid preset synth | Instant trance patches | Paid |
| u-he Diva | Analog-modelled synth | Deep basses, analog pads | Paid |
| Omnisphere 3 | Hybrid workstation synth | Cinematic pads, arps | Paid |
| Kickstart 2 | Sidechain FX | Fast pumping sidechain | Paid |
| VolumeShaper 6 | Volume-LFO FX | Multiband sidechain, gating | Paid |
| Valhalla VintageVerb | Reverb | Pads, atmospheres, breakdowns | Paid |
| FabFilter Pro-Q | EQ | Mixing & mastering | Paid |
| iZotope Ozone | Mastering suite | Final mix bus & mastering | Paid |
1. LennarDigital Sylenth1
If one synth shaped the sound of modern trance, it’s Sylenth1. Two decades in, it’s still on almost every trance producer’s template because it just sounds right — warm, thick and immediate. Four unison oscillators (32 voices per note), two analog-modelled filters, deep modulation and a huge factory bank cover 90% of what a trance track needs.
Who it’s for: anyone learning trance sound design, and anyone who wants classic uplifting leads, rolling basses and chorused plucks without wrestling with a complicated interface. CPU cost is tiny for the amount of sound it puts out.
Strength: its unison engine still produces some of the widest, most convincing supersaws in software. Caveat: the UI hasn’t really evolved and it’s not a modern wavetable or FM synth, so you won’t get bleeding-edge textures out of it — pair it with a wavetable synth for variety.
2. Reveal Sound Spire
Reveal Sound Spire is the other pillar of modern trance sound design, sitting in a sweet spot between analog warmth and digital precision. Its oscillators handle stacked supersaws without turning into mud, and the built-in unison and FX section means most patches sound finished before you even reach for a chorus.
Who it’s for: producers chasing the huge, glossy uplifting-trance and psytrance sound. No synth makes a trance lead sit in a mix faster.
Strength: release-ready leads and plucks with almost no processing. Caveat: it’s opinionated — every Spire preset has a certain “Spire sheen.” Layer it with Sylenth1 or a wavetable synth to avoid your tracks sounding identical to every other release.
3. Xfer Records Serum 2
Serum 2 is the wavetable synth that took over EDM — and it’s every bit as useful for trance FX, plucks and modern leads. It’s $249 on Xfer’s site (introductory $189), and existing Serum 1 owners get the upgrade free.
Who it’s for: producers who want to design their own sounds instead of relying on presets, and anyone working with vocal chops, risers, downlifters and modern lead textures. The visual workflow makes deep modulation and wavetable editing genuinely fun.
Strength: a huge third-party preset ecosystem and the most transparent sound-design UI of any modern synth. Caveat: it can encourage over-processing. Many Serum patches sound impressive solo and disappear in a mix — use its filters and macros with restraint.
Browse Trance packs at Myloops →
4. Vital
Vital is the wavetable synth that made Serum’s engine essentially free. Built by Matt Tytel, it has a spectral warping engine that lets you stretch, shift, smear and skew the harmonics of a wavetable — genuinely useful for pluck and lead design — plus a visual modulation workflow that’s arguably better than Serum’s.
Who it’s for: producers on a budget, students, or anyone who wants a second wavetable synth on their template without paying twice. It runs as VST, VST3, AU, LV2 and standalone, and is CPU-friendly.
Strength: free at the base tier with paid tiers if you want more presets and wavetables. Caveat: the stock preset library is smaller than Serum’s, and there are far fewer commercial trance preset packs written specifically for it — you’ll be doing more sound design yourself.
5. reFX Nexus 5
reFX Nexus 5 has been a fixture of dance-music production for almost two decades, and version 5 finally moves it beyond its rompler roots into a proper hybrid synth. It covers EDM, melodic techno, house, drum & bass, trance and more, and there’s a dedicated Trance Elements expansion built around classic trance sounds.
Who it’s for: producers who want great trance patches instantly — leads, plucks, choirs, orchestral hits — without doing sound design from scratch. Nothing gets you from empty project to convincing trance sketch faster.
Strength: unmatched preset quality out of the box. Caveat: it’s a preset-driven synth by design — if you love programming from scratch, look elsewhere. It’s also on the pricey side once you start buying expansions.
6. u-he Diva
u-he Diva is the synth to reach for when you want real analog character — deep sub basses, breathy pads and gritty acid lines. You choose from seven oscillator models, four filter models and four envelope models, each modelling the actual circuits of classic hardware synths.
Who it’s for: producers making progressive, tech- or psytrance who need a bass and pad synth with genuine analog behaviour. Oscillator stacking gives you clean, punchy patches with a wide stereo spread — great for aggressive basses, techno chords, raw acid, and huge trance leads.
Strength: nothing in software sounds quite like it for warm, organic textures. Caveat: it’s notoriously CPU-hungry in its highest-quality mode. Freeze Diva tracks or bounce them to audio once the patch is locked.
7. Spectrasonics Omnisphere 3
Omnisphere 3 is less a synth and more an entire sound-design ecosystem. It handles trance and Berlin-school sequencing with finesse, and its arpeggiator is legendary for building intricate patterns with almost no programming.
Who it’s for: producers who want cinematic pads, evolving atmospheres and unusual textures for breakdowns and intros. There are dedicated trance-focused sound sets like Trance Supersaw if you want patches aimed squarely at the genre.
Strength: the sheer depth of the library — thousands of patches, plus the ability to import your own samples — means you’ll never run out of sounds. Caveat: it’s expensive, and the learning curve is real. If you only need supersaws and plucks, Spire or Serum are more efficient buys.
8. Cableguys Kickstart 2
Kickstart 2 is the fastest way to get that classic pumping trance groove on your basses and pads. Drop it on a channel, pick a shape, done — no sidechain routing required.
Who it’s for: anyone who doesn’t want to set up sidechain busses manually and just wants a great ducking curve on a bass or pad in seconds.
Strength: near-zero setup and a genuinely useful library of ducking shapes. Caveat: it’s a one-trick tool — for surgical multiband ducking or gating rhythms you’ll want its bigger sibling below.
9. Cableguys VolumeShaper 6
Where Kickstart is quick and simple, VolumeShaper 6 is where serious groove-shaping happens. It’s a drawable volume-LFO plugin with a separate LFO for lows, mids and highs, triggered by beats, MIDI or transients.
Who it’s for: producers who want more control than Kickstart offers — for example, ducking only the low end of a bass under the kick while leaving the mids untouched, or gating pads and vocal loops rhythmically.
Strength: its multiband LFO shaping is invaluable for tight low-end mixes. Caveat: it’s easy to overdo — draw subtle curves and use it as a mix tool, not an effect.
10. Valhalla VintageVerb
Trance lives and dies on its reverb tails, and Valhalla VintageVerb is the industry-standard affordable reverb for the job. It offers a big menu of classic digital reverb algorithms with three colour modes inspired by 1970s and 1980s hardware — Concert Hall, Plate and friends cover almost every reverb sound you’ll reach for in a trance track.
Who it’s for: anyone building big trance pads, atmospheric breakdowns or wide plucks. For that classic shimmer effect on top of it, Valhalla Shimmer pitch-shifts the feedback signal for Eno/Lanois-style tails — a beautiful complement on breakdown pads.
Strength: cheap, gorgeous, and barely touches your CPU. Caveat: it’s not a convolution reverb, so if you need realistic room impulse responses, use it alongside a stock convolution verb rather than as a replacement.
11. FabFilter Pro-Q
No trance mix survives without a great EQ, and FabFilter Pro-Q is the one almost every professional uses. The current Pro-Q 4 builds on Pro-Q 3’s already-standard workflow with even sharper dynamic EQ tools, up to 24 clickable bands, dynamic mode, and per-band L-R or M-S operation.
Who it’s for: everyone. You’ll use it dozens of times per project — carving space between kick and bass, dipping resonances out of leads, and shaping supersaws so they don’t fight the vocal. Mid/side moves on wide pads and leads are trivial.
Strength: fantastic workflow and visualisation — you learn to mix better just by using it. Caveat: it’s not cheap. If budget is a constraint, start with a stock EQ and add Pro-Q once you’re mixing seriously.
12. iZotope Ozone
Once your mix is done, iZotope Ozone is the mastering suite most home producers rely on to get their track loud, clean and streaming-ready. The Master Assistant gets you a usable starting chain fast, then you tweak by ear.
Who it’s for: producers who can’t afford or don’t need an outside mastering engineer for demos, club edits and self-releases. The module set — EQ, imager, maximizer, dynamics — covers everything a trance master typically needs. There’s also a free Ozone EQ if you want to try iZotope’s tools before buying.
Strength: a genuine one-stop mastering chain that gets close to competitive loudness without destroying transients. Caveat: don’t let the AI make all the decisions — trance needs deliberate low-end and stereo choices that assistants often flatten out.
Browse Trance packs at Myloops →
How to choose the right plugins for your setup
You don’t need all twelve of these. A realistic starter trance rig looks like this: one virtual-analog synth (Sylenth1 or Diva), one wavetable synth (Serum 2 or free Vital), one dedicated supersaw synth (Spire or Nexus 5), one sidechain tool (Kickstart 2), one reverb (VintageVerb), and one great EQ (Pro-Q). That’s six plugins that will take you from empty project to finished demo without any missing pieces.
If you’re on a tight budget, build around Vital, your DAW’s stock EQ and compression, VintageVerb (or a free reverb) and one paid workhorse synth — either Sylenth1 or Spire depending on the sub-genre you love. Add Kickstart 2 and Pro-Q as soon as you can. Ozone and Omnisphere are investments to make later, once you know exactly what’s missing from your workflow.
Whichever synths you end up with, remember that presets speed up learning enormously. Load professionally designed sounds for your chosen synth, then reverse-engineer how they were built — it’s the fastest way to internalise trance sound design and start making patches that sit in a mix from the first note.





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